A propósito, me desculpe (2023) marked my first contribution to a film’s sound work. On it, I worked as an ambient sound designer.

It was a challenge, especially because the film had many outdoor scenes, but one I was truly happy to take on. Although it’s not often talked about, there is something deeply rewarding about getting lost in the unraveling of sound, in the construction of emotion.

Sound is essential to any audiovisual work, and a complete formation in the field cannot be achieved without diving deeply into its making.